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Sillage/Library/Dior/Eau Sauvage
Dior · Est. 1966

Eau Sauvage

Eau Sauvage opens with a bracing citrus clarity—lemon and bergamot lifted by aromatic herbs that feel more medicinal than culinary.

ConcentrationFragrance
Formasculine
Released1966
Statusenriched
Eau Sauvage — Dior
1966 · Fragrance
ber·lem·oak·lav
Rating
4.2
5.4k reviews
Fig. 01

The scent fingerprint

Visualization — constellation
basehearttopcitrusfloralfruitygourmandpowderyamberywoodysmokychyprearomaticgreenaquaticspicy

Weighted by intensity across 14 accords.

Every perfume in Sillage is represented as a distribution across canonical accord slugs — a lingua franca for scent. Two fragrances with overlapping fingerprints are scent-twins, even if they share no literal note.

  • Bergamot
    80
  • Lemon
    70
  • Oakmoss
    70
  • Lavender
    60
  • Vetiver
    50

By the editors · 2 min readEau Sauvage opens with a bracing citrus clarity—lemon and bergamot lifted by aromatic herbs that feel more medicinal than culinary. The shock is deliberate, almost austere, like stepping into cold water on a summer afternoon. Within minutes, the sharpness softens as lavender and jasmine emerge, but never quite sweetly; they remain tethered to the green, mossy foundation beneath.

What follows is a study in restraint. The sandalwood and oakmoss create a powdery, silvered base that smells both clean and lived-in, like a well-kept linen closet in an old house. The florals never shout. The vetiver stays dry and gray rather than rooty or smoky.

This is tailoring translated to scent—precise, self-possessed, neither warm nor cold. It suits anyone who prefers understatement to charm, and morning light to evening shadow. Eau Sauvage doesn't seduce; it clarifies.

Filed: DiorSillage · vol. I
Fig. 02

Scent twins

Computed via accord overlap