Sillage.art
Jean Patou · Est. 1972

1000

The opening arrives as a peculiar green-floral harmony, where tarragon's anise-like sharpness cuts through Bulgarian rose and a whisper of apricot.

ConcentrationFragrance
Forunisex
Released1972
Perfumerjean kerleo
Statusenriched
1000 — Jean Patou
1972 · Fragrance
ros·oak·san·jas
Rating
4.2
1.1k reviews
Fig. 01

The scent fingerprint

Visualization — constellation
basehearttopcitrusfloralfruitygourmandpowderyamberywoodysmokychyprearomaticgreenaquaticspicy

Weighted by intensity across 13 accords.

Every perfume in Sillage is represented as a distribution across canonical accord slugs — a lingua franca for scent. Two fragrances with overlapping fingerprints are scent-twins, even if they share no literal note.

  • Rose
    80
  • Oakmoss
    75
  • Sandalwood
    70
  • Jasmine
    70
  • Musk
    65

By the editors · 2 min readThe opening arrives as a peculiar green-floral harmony, where tarragon's anise-like sharpness cuts through Bulgarian rose and a whisper of apricot. It's an unusual introduction that recalls the herbal clarity of a formal garden after rain, aromatic rather than sweet, with violet and osmanthus adding a powdery, suede-like texture beneath the brightness.

The heart unfolds into classic white florals—jasmine and lily of the valley—but eucalyptus keeps everything from becoming too plush, maintaining that cool, medicinal edge. The iris contributes a lipstick smoothness while multiple rose facets deepen the composition without overwhelming it.

The base settles into oakmoss and sandalwood territory, grounded by civet's animalic warmth and patchouli's earthy shadows. This is French perfumery from an era when complexity and contrast mattered more than mass appeal—intellectual, structured, wearing close to the skin with a persistent mossy-musky trail. Best suited to those who appreciate perfume as architecture rather than decoration.

Filed: Jean PatouSillage · vol. I
Fig. 02

Scent twins

Computed via accord overlap