Boudoir Vivienne Westwood 1998 Eau de Parfum
Boudoir opens with a surprising brightness—neroli and bergamot cut through what could have been merely heavy florals—but within minutes the perfume settles into its true character: a smoky, spiced arrangement built around carnation and a resinous orange blossom that leans more narcotic than fresh.
The scent fingerprint
Weighted by intensity across 15 accords.
Every perfume in Sillage is represented as a distribution across canonical accord slugs — a lingua franca for scent. Two fragrances with overlapping fingerprints are scent-twins, even if they share no literal note.
- Woody75
- Floral70
- Cinnamon65
- Rose
The note pyramid
- Orange Blossom
- Bergamot
- Jasmine
- Cardamom
- Narcissus
- Rose
By the editors · 2 min readBoudoir opens with a surprising brightness—neroli and bergamot cut through what could have been merely heavy florals—but within minutes the perfume settles into its true character: a smoky, spiced arrangement built around carnation and a resinous orange blossom that leans more narcotic than fresh. The cardamom here isn't decorative; it adds a dry, papery warmth that keeps the jasmine and rose from turning sweet.
The base is where the name makes sense. Sandalwood appears darkened by cinnamon and patchouli, creating something close to incense without the church associations. The vanilla is restrained, more of a rounding agent than a gourmand note. This is intimate scent-making from an era less concerned with immediate likability—powdery in places, almost dusty, with a worn-velvet texture that either reads as elegantly faded or simply dated depending on your tolerance for Nineties opulence.
Best suited to someone who finds most modern florals too polite and doesn't mind a perfume with visible seams.
Scent twins
In this family
Factual metadata (name, house, year, notes) is seeded from public datasets. The editorial reading and scent fingerprint are written by Claude against our house style — none of it is scraped prose. Read our methodology.
