Very Good Girl
Very Good Girl opens with a jolt of brightness—sharp, almost electric rose that feels vivid rather than soft.
The scent fingerprint
Weighted by intensity across 8 accords.
Every perfume in Sillage is represented as a distribution across canonical accord slugs — a lingua franca for scent. Two fragrances with overlapping fingerprints are scent-twins, even if they share no literal note.
- Rose90
- Earthy65
- Fresh50
- Soft Spicy
The note pyramid
- Red Currant
- Lychee
- Rose
- Rose
- Vetiver
- Vetiver
By the editors · 2 min readVery Good Girl opens with a jolt of brightness—sharp, almost electric rose that feels vivid rather than soft. There's a synthetic clarity to it, the kind of modern florancy that announces itself immediately and doesn't apologize. It's youthful in energy but not naive in construction.
As it settles, the rose gains depth from vetiver's earthy, almost bitter undertone, which keeps the sweetness from tipping into dessert territory. The vanilla arrives gently, more of a creamy backdrop than a gourmand statement, smoothing out the rougher edges without dominating. The contrast between the floral intensity and the woody-sweet base creates tension—prettiness with an edge.
This is for someone who wants presence without heaviness, femininity that feels deliberate rather than demure. It works in crowded rooms and office air conditioning, bold enough to register but composed enough to wear daily. A commercial fragrance, certainly, but one that understands its own character.
Scent twins
In this family
Factual metadata (name, house, year, notes) is seeded from public datasets. The editorial reading and scent fingerprint are written by Claude against our house style — none of it is scraped prose. Read our methodology.




