Coco Mademoiselle
The opening strikes with bright, nearly aggressive citrus—sharp bergamot and bitter orange cut through immediately, lifted by a clean orange blossom that feels more zesty than floral.
The scent fingerprint
Weighted by intensity across 12 accords.
Every perfume in Sillage is represented as a distribution across canonical accord slugs — a lingua franca for scent. Two fragrances with overlapping fingerprints are scent-twins, even if they share no literal note.
- Citrus80
- Patchouli65
- Floral60
- Musky
The note pyramid
- Orange Blossom
- Orange
- Bergamot
- Jasmine
- Ylang-Ylang
- Mimosa
By the editors · 2 min readThe opening strikes with bright, nearly aggressive citrus—sharp bergamot and bitter orange cut through immediately, lifted by a clean orange blossom that feels more zesty than floral. This isn't the soft, powdery opening of classic Chanel; it announces itself with a modern, almost angular clarity.
As it settles, jasmine and ylang-ylang emerge without heaviness, their richness tempered by the lingering citrus and a whisper of mimosa that adds greenness rather than sweetness. The florals feel precise, edited down to their brightest facets. The base reveals the real construction: patchouli and vetiver give it structure and a hint of darkness, while tonka, vanilla, and white musk soften the edges without tipping into gourmand territory. The opoponax contributes a subtle, resinous warmth.
What remains is polished and self-possessed—citrus-bright florals over a woody-musky foundation that manages to feel both clean and complex. It suits someone who wants presence without drama, sophistication without stuffiness.
Scent twins
Factual metadata (name, house, year, notes) is seeded from public datasets. The editorial reading and scent fingerprint are written by Claude against our house style — none of it is scraped prose. Read our methodology.
