Sillage.art
Giorgio Armani · Est. 2004

Pierre de Lune

Pierre de Lune opens with a cool, almost lunar brightness—aldehydes meet jasmine in a soft haze that feels both vintage and modern.

ConcentrationEau de Parfum
Forunisex
Released2004
Statusenriched
2004 · Eau de Parfum
jas·mus·ozo·iri
Rating
4.1
0.7k reviews
Fig. 01

The scent fingerprint

Visualization — constellation
citrusfloralfruitygourmandpowderyamberywoodysmokychyprearomaticgreenaquaticspicy

Weighted by intensity across 7 accords.

Every perfume in Sillage is represented as a distribution across canonical accord slugs — a lingua franca for scent. Two fragrances with overlapping fingerprints are scent-twins, even if they share no literal note.

  • Jasmine
    65
  • Musk
    60
  • Ozonic
    35
  • Iris Powder
    20
  • Sandalwood
    15

By the editors · 2 min readPierre de Lune opens with a cool, almost lunar brightness—aldehydes meet jasmine in a soft haze that feels both vintage and modern. The initial spray has the weightless clarity of early morning light, crisp without being sharp, floral without being sweet. As it settles, the composition reveals its silvery backbone: musk anchors the jasmine, while subtle woods provide just enough shadow to prevent the fragrance from floating away entirely.

This is Armani at his most restrained and architectural. The perfume doesn't announce itself or demand attention; instead, it creates a quiet aura, like silk on bare skin. It suits someone who appreciates understated elegance over obvious statement-making—a scent for gallery openings, first-class cabins, or simply moving through the world with deliberate grace. The name suggests moonstone, and the fragrance delivers that same pale, reflective quality.

Filed: Giorgio ArmaniSillage · vol. I
Fig. 02

Scent twins

Computed via accord overlap