Jesus Del Pozo In White
In White opens with a whisper of bergamot that barely announces itself before dissolving into a soft floral haze.
The scent fingerprint
Weighted by intensity across 8 accords.
Every perfume in Sillage is represented as a distribution across canonical accord slugs — a lingua franca for scent. Two fragrances with overlapping fingerprints are scent-twins, even if they share no literal note.
- White Floral50
- Sweet50
- Floral50
- Powdery
The note pyramid
- Bergamot
- Magnolia
- Orange Blossom
- Freesia
- Iris
- Musk
By the editors · 2 min readIn White opens with a whisper of bergamot that barely announces itself before dissolving into a soft floral haze. The magnolia and orange blossom arrive almost simultaneously, their edges blurred by freesia into something gauzy and indistinct. This isn't the photorealistic white floral some houses pursue—it's more like observing flowers through frosted glass.
The drydown reveals a powdered iris foundation beneath the petals, its earthy-rooty quality tempered by clean musk. The effect is simultaneously demure and slightly austere, like linen pressed with just enough starch. There's a coolness here that keeps the florals from turning sweet or heavy.
This suits someone drawn to restraint over exuberance, the kind of fragrance that maintains a consistent low volume throughout its wear. It occupies that narrow territory between office-appropriate and genuinely interesting, though it leans closer to the former.
Scent twins
Factual metadata (name, house, year, notes) is seeded from public datasets. The editorial reading and scent fingerprint are written by Claude against our house style — none of it is scraped prose. Read our methodology.
