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Sillage/Library/Tom Ford/Noir de Noir
Tom Ford · Est. 2007

Noir de Noir

Noir de Noir opens with saffron's metallic-sweet bite, almost medicinal before it softens into something darker and more floral.

ConcentrationFragrance
Forunisex
Released2007
Perfumerunknown
Statusenriched
Noir de Noir — Tom Ford
2007 · Fragrance
ros·pat·oak·van
Rating
4.3
7.5k reviews
Fig. 01

The scent fingerprint

Visualization — constellation
basehearttopcitrusfloralfruitygourmandpowderyamberywoodysmokychyprearomaticgreenaquaticspicy

Weighted by intensity across 6 accords.

Every perfume in Sillage is represented as a distribution across canonical accord slugs — a lingua franca for scent. Two fragrances with overlapping fingerprints are scent-twins, even if they share no literal note.

  • Rose
    85
  • Patchouli
    80
  • Oakmoss
    75
  • Vanilla
    65
  • Amber
    50

By the editors · 2 min readNoir de Noir opens with saffron's metallic-sweet bite, almost medicinal before it softens into something darker and more floral. The effect is immediately gothic—think velvet curtains in a shuttered room, rose petals browning at the edges. This isn't fresh flowers but their memory, preserved in resin and spice.

As it settles, oakmoss and patchouli anchor the composition in earthy shadow while vanilla rounds the sharper edges without sweetening excessively. The result feels heavy, enveloping, almost suffocating in its richness. It's perfume as mood—brooding, nocturnal, unapologetically dense.

Best suited to those who want fragrance as atmosphere rather than accessory. Noir de Noir doesn't flatter or seduce in conventional ways; it announces a particular aesthetic sensibility, one drawn to decay as much as bloom. Evenings, cold weather, solitude.

Filed: Tom FordSillage · vol. I
Fig. 02

Scent twins

Computed via accord overlap