Lost In Heaven
Lost In Heaven opens with a soft narcotic haze—heliotrope and tonka bean wrapped in powdered almond sweetness, their warmth almost edible but kept from dessert territory by dry sandalwood and a whisper of cinnamon.
The scent fingerprint
Weighted by intensity across 15 accords.
Every perfume in Sillage is represented as a distribution across canonical accord slugs — a lingua franca for scent. Two fragrances with overlapping fingerprints are scent-twins, even if they share no literal note.
- Sweet85
- Woody75
- Musky70
- Amber
The note pyramid
- Tonka Bean
- Sandalwood
- Cinnamon
- Magnolia
- Ambergris
- Vetiver
- Jasmine
- Ylang-Ylang
- Heliotrope
- Orange Blossom
- Opoponax
- Patchouli
- Grapefruit
- Mimosa
- Castoreum
- Musk
By the editors · 2 min readLost In Heaven opens with a soft narcotic haze—heliotrope and tonka bean wrapped in powdered almond sweetness, their warmth almost edible but kept from dessert territory by dry sandalwood and a whisper of cinnamon. The florals (magnolia, orange blossom, ylang-ylang) bloom through this milky fog without shouting, blurred and intimate rather than crisp. There's an old-fashioned comfort here, like face powder in a velvet-lined case.
As it settles, animalic notes emerge: castoreum adds a leathery skin-warmth, musk and ambergris deepen the base into something subtly carnal. The sweetness never disappears but becomes more ambiguous, folding into patchouli and vetiver's earthiness.
This is sensual in an unhurried, enveloping way—perfume as narcotic rather than spectacle. It sits close, suited to those who prefer fragrance felt rather than announced, with enough depth to unfold over hours without demanding attention.
Scent twins
Factual metadata (name, house, year, notes) is seeded from public datasets. The editorial reading and scent fingerprint are written by Claude against our house style — none of it is scraped prose. Read our methodology.
