All Good Things
All Good Things opens like a Victorian parlor lit by honeyed sunlight—thick orange blossom absolute colliding with tonka and benzoin, sweet but not cloying.
The scent fingerprint
Weighted by intensity across 13 accords.
Every perfume in Sillage is represented as a distribution across canonical accord slugs — a lingua franca for scent. Two fragrances with overlapping fingerprints are scent-twins, even if they share no literal note.
- Citrus55
- Soft Spicy50
- Herbal50
- Aromatic
By the editors · 2 min readAll Good Things opens like a Victorian parlor lit by honeyed sunlight—thick orange blossom absolute colliding with tonka and benzoin, sweet but not cloying. The floral weight is countered by a dry woodiness, possibly cedar or sandalwood, that keeps it from tipping into gourmand territory. As it settles, the sweetness deepens into something resinous and amber-like, almost incense-adjacent, with the orange blossom never fully disappearing.
This is Lush doing restraint, which means it's still bold by conventional standards but lacks the syrupy exuberance of some of their fruitier offerings. The dry-down has a vintage quality—not old-fashioned, but evoking older perfumery styles where florals sat on thick balsamic bases.
It suits someone who wants floral richness without freshness, sweetness without sugar. The sillage is moderate but persistent, hanging close like a soft wool shawl rather than broadcasting across a room.
Scent twins
Factual metadata (name, house, year, notes) is seeded from public datasets. The editorial reading and scent fingerprint are written by Claude against our house style — none of it is scraped prose. Read our methodology.
