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Sillage/Library/Salvador Dalí/La Belle et l'Ocelot
Salvador Dalí · Est. 2014

La Belle et l'Ocelot

The opening arrives with an unexpected sharpness—a brief citric flash that quickly surrenders to the white florals beneath.

ConcentrationFragrance
Forunisex
Released2014
Perfumerhenri bergia
Statusenriched
La Belle et l'Ocelot — Salvador Dalí
2014 · Fragrance
ton·van·inc·jas
Rating
4.0
0.8k reviews
Fig. 01

The scent fingerprint

Visualization — constellation
basehearttopcitrusfloralfruitygourmandpowderyamberywoodysmokychyprearomaticgreenaquaticspicy

Weighted by intensity across 11 accords.

Every perfume in Sillage is represented as a distribution across canonical accord slugs — a lingua franca for scent. Two fragrances with overlapping fingerprints are scent-twins, even if they share no literal note.

  • Tonka
    65
  • Vanilla
    55
  • Incense
    45
  • Jasmine
    40
  • Patchouli
    40

By the editors · 2 min readThe opening arrives with an unexpected sharpness—a brief citric flash that quickly surrenders to the white florals beneath. Jasmine and osmanthus intertwine, the latter lending a suede-like apricot softness that keeps the bouquet from turning too heady or overtly sweet. Rose appears as texture rather than statement, blending into the tonka bean's almond warmth.

In the base, incense smoke threads through benzoin and patchouli, creating a resinous veil that feels more meditative than overtly sensual. The patchouli here is clean, almost woody, stripped of its earthier tendencies. What remains is a gauzy oriental that hovers close to the skin—less dramatic than the Dalí name might suggest, more wearable than transgressive.

This is for those who want florals anchored by something darker, a composition that reads as elegant restraint rather than baroque excess.

Filed: Salvador DalíSillage · vol. I
Fig. 02

Scent twins

Computed via accord overlap