Ming Shu Fleur de l'Aube
Ming Shu Fleur de l'Aube opens with a soft, nearly translucent quality—like dawn light filtering through silk.
The scent fingerprint
Weighted by intensity across 3 accords.
Every perfume in Sillage is represented as a distribution across canonical accord slugs — a lingua franca for scent. Two fragrances with overlapping fingerprints are scent-twins, even if they share no literal note.
- Marine80
- Salty55
- Vanilla55
The note pyramid
- Ylang-Ylang
- Sandalwood
- Vanilla
- Sandalwood
- Marine
- Ylang-Ylang
- Vanilla
By the editors · 2 min readMing Shu Fleur de l'Aube opens with a soft, nearly translucent quality—like dawn light filtering through silk. The ylang-ylang emerges gradually, less tropical and heady than you might expect, more like a pale yellow flower caught between sleep and waking. There's a gentleness here that suggests restraint rather than volume.
As it settles, sandalwood provides a smooth, slightly creamy foundation while vanilla adds roundness without overwhelming sweetness. The composition stays close to the skin, never projecting forcefully. It reads as intentionally quiet, a fragrance for someone who prefers suggestion to declaration.
This suits mornings when you want something present but unobtrusive, or days when you're drawn to florals but find most of them too insistent. It occupies a space between traditional floral femininity and something more contemporary and hushed.
Scent twins
Factual metadata (name, house, year, notes) is seeded from public datasets. The editorial reading and scent fingerprint are written by Claude against our house style — none of it is scraped prose. Read our methodology.