Sillage.art
Perris Monte Carlo · Est. 2012

Bois d‘Oud

Bois d'Oud opens with a customary bergamot note — a clean interval that buys the wearer a moment before the real composition begins.

ConcentrationFragrance
Forunisex
Released2012
Perfumerunknown
Statusenriched
2012 · Fragrance
oud·jas·ros·lab
Rating
3.9
0.5k reviews
Fig. 01

The scent fingerprint

Visualization — constellation
basehearttopcitrusfloralfruitygourmandpowderyamberywoodysmokychyprearomaticgreenaquaticspicy

Weighted by intensity across 16 accords.

Every perfume in Sillage is represented as a distribution across canonical accord slugs — a lingua franca for scent. Two fragrances with overlapping fingerprints are scent-twins, even if they share no literal note.

  • Oud
    65
  • Jasmine
    60
  • Rose
    55
  • Labdanum
    50
  • Musk
    45

By the editors · 2 min readBois d'Oud opens with a customary bergamot note — a clean interval that buys the wearer a moment before the real composition begins. What follows is an ambitious floral heart: jasmine and rose at their most opulent, peach and plum adding fleshy, slightly fermented fruit, orange blossom threading through everything with its clean, honeyed presence. Iris adds structural pallor against the richness.

The base is where the 'bois' component exerts its authority — labdanum, ambergris, and musk create a dense animalic-resinous foundation that is the signature of classical oud wood construction, even when oud itself remains unnamed in the note list. Cedar and patchouli add dry, earthy geometry. Vanilla smooths the edges without sweetening the whole.

This is unambiguously niche in posture: a perfume built for concentration and wearing, not accessibility. It projects heavily in the first hour, then draws intimate. The Perris Monte Carlo school of restraint through saturation.

Filed: Perris Monte CarloSillage · vol. I
Fig. 02

Scent twins

Computed via accord overlap