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Sillage/Library/Tom Ford/Violet Blonde
Tom Ford · Est. 2011

Violet Blonde

The pink pepper arrives first, a faint prickle that quickly gives way to the violet leaf—green, almost cucumber-cool, with none of the powdery sweetness usually associated with violets.

ConcentrationFragrance
Forunisex
Released2011
Perfumerunknown
Statusenriched
Violet Blonde — Tom Ford
2011 · Fragrance
iri·fig·lea·vet
Rating
4.0
3.3k reviews
Fig. 01

The scent fingerprint

Visualization — constellation
basehearttopcitrusfloralfruitygourmandpowderyamberywoodysmokychyprearomaticgreenaquaticspicy

Weighted by intensity across 9 accords.

Every perfume in Sillage is represented as a distribution across canonical accord slugs — a lingua franca for scent. Two fragrances with overlapping fingerprints are scent-twins, even if they share no literal note.

  • Iris
    80
  • Fig Leaf
    70
  • Leather
    60
  • Vetiver
    50
  • Cedar
    40

By the editors · 2 min readThe pink pepper arrives first, a faint prickle that quickly gives way to the violet leaf—green, almost cucumber-cool, with none of the powdery sweetness usually associated with violets. This is the leaf, not the flower, and it lends the opening an airy, almost translucent quality. The iris enters quietly, adding a soft, papery texture without weight.

As it settles, the jasmine remains subdued, almost abstract, while the suede accord comes forward—a fine-grained, matte finish that holds the composition together. Vetiver and cedar provide a skeletal woody structure, never loud, always in support. The benzoin rounds the edges just enough to keep everything from floating away entirely.

This is a scent for someone drawn to pale, refined materials—the kind of fragrance that suggests tailoring rather than ornament. It stays close, wears quietly, and suits those who prefer understatement to projection.

Filed: Tom FordSillage · vol. I
Fig. 02

Scent twins

Computed via accord overlap