Releases
DNA over time
Each column is an era. Each colored band shows that family’s share of accord weight across every perfume the house released in that window. Bigger band = the house leaned harder on that family.
All fragrances
No. 5 Verger
No. 3 Veti Vert
No. 1 Le Jasmin
Scherzo Miller Harris 2018 Eau de Parfum
En Sens de Bois
Cœur de Jardin
Dance amongst the Lace
No. 2 Tuberosa
Cœur d'Été
Cœur de Fleur
Cologne 1888
Vetiver Bourbon
La Fumee Arabie
Jasmin Vert
La Fumee
Incense opens with a direct, resinous declaration — lavender alongside it providing the only aromatic gentleness before the composition dives deep.
La Fumee Ottoman
Found at Dusk
Le Cedre
Fleur Oriental
La Feuille
Verger
Le Petit Grain
Feuilles de Tabac
The opening arrives sharp and herbal—sage cutting through citrus brightness like a blade through smoke.
La Fumee Intense
La Fumée Alexandrie
Soufflot
Craft & Glamour
La Fumee Maroc
L'Air de Rien
L'Air de Rien is Miller Harris's most famous composition — a controversial, deliberately animalic scent commissioned by Jane Birkin and built around what amounts to the warm, human smell of hair and skin.
Vetiver Insolent
Le Pamplemousse
Fleur du Matin
Tangerine Vert
Wander Through The Parks
Veti Vert
Violet Ida
En Sens Du Bois
Scherzo
Scherzo opens with a gentle sweetness that feels less confectionary than its praline note might suggest.
Fleurs de Sel
Cassis en Feuille
Tea Tonique
Tea-Tonique opens with a tart citrus brightness—bergamot and lemon lifted by petitgrain's slightly bitter, leafy edge.
La Pluie
Rose Silence
Celadon
Rose En Noir
Secret Gardenia
Sublime Blossom
Blousy
Tuberosa
Terre de Bois
Terre d'Iris
Noix de Tubereuse
The name promises something unexpected—tuberose married to a nutty, grounding note—and that duality arrives immediately.
Hidden on the Rooftops
Cuir d'Oranger
Poirier d'Un Soir
Le Jasmin
Lost In The City
Leather Rouge
Fleurs de Bois
Peau Santal
Peau-Santal opens with a dry, almost textile-like quality—saffron and pink pepper create a faintly metallic warmth rather than spice in the conventional sense.